French Museum Discovers Disturbing Truth About Its Collection

May 1, 2018 4:27 am Last Updated: May 16, 2018 2:43 pm

A museum in the South of France that is dedicated to the work of Etienne Terrus, a close friend of Henri Matisse, has discovered that more than half of its collection is fake.

Experts found that 82 of the 140 paintings attributed to the Catalan artist at the Terrus museum in Elne, near the Spanish border, were not actually painted by him.

Local French media reported that the paintings featured buildings that were constructed after the artist’s death in 1922.

Doubts about the authenticity of the paintings were raised several months ago by the art historian Eric Forcada.

“On one painting, the ink signature was wiped away when I passed my white glove over it,” Focada said to AFP. “At a stylistic level, it’s crude. The cotton supports do not match the canvas used by Terrus. And there are some anachronisms.”

A self-portrait of the French painter Etienne Terrus displayed at the museum dedicated to the artist, in Elne, France, on April 28. (Raymond Roig/AFP/Getty Images)

Following the alert from Focanda, experts concluded that 82 of the paintings were fakes.

The artworks, acquired by the local council over a period of 20 years, are thought to have cost about 160,000 euros ($193,000).

Art market analyst Ivan Macquisten said that it is likely that the paintings were forged locally.

“About 80 works, bought over a period of 20 years, that tells me that the museum had easy access to the source. It’s probably a local source,” he said.

“It might be someone purporting to be a relative or friend of the artist, or somebody who is purporting to be a serious collector. If it comes from more than one source, I suspect those sources would be very closely related.”

Location of the Terrus museum in Elne in the south of France near the Spanish border. (Screenshot/Google Maps)

The findings came to light after the Terrus museum had reopened on April 27 following renovation work.

Yves Barniol, the local mayor, described the finding as a “catastrophe.”

“I put myself in the place of all the people who came to visit the museum, who saw fake works, who took a ticket of entry, whatever the price. It is unacceptable,” Barniol said, during interviews on April 27. “I hope we can find those responsible.”

 

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